Wednesday, 16 July 2014

Why you need to get your ball tickets in the next 12 days

The Kickstarter campaign goes until July 28. I can't really think I can risk the expense of putting on this ball out of my own pocket, so I need to raise at least most of the cost of it in advance through ticket sales. July 28 gives me 2 months to secure the venue, plan the menu (period recipes, etc) organize and hold the dance lessons, make videos on how to put together your costume, prepare some period games, find volunteers, allow the musicians to rehearse and prepare and continue to sell tickets so we can make it even more awesome. I don't think I could do all that in less than 2 months. I would have started the campaign earlier, but I didn't have a dance caller, and I could not host a ball without one! That would be negligence to a shocking degree. 

If we don't raise the funds for the ball through the Kickstarter campaign, we will not proceed with the ball for now. We may try again next year. If you pledge, or in other words buy your ticket, on the Kickstarter website, and the ball does not proceed, you will not be charged anything. So there is no risk in getting your ticket that you will pay for it and it won't happen... just in case anyone was worried about that. 


So please, spread the word, and get your tickets. Let's make this happen. If you want to buy a ticket but don't like Kickstarter, just message me. I will sort it out for you so that you can still support the project and make it happen without having to make a Kickstarter account.


For now, here is the link for you to share:www.RegencyMichaelmasBall.com


Monday, 14 July 2014

Regency Ball September 28, 2014

If you have been following me at all lately, you will know that I am planning a Regency ball at Edmonton's historic Hotel Macdonald.

Wedgwood Room
I have launched a Kickstarter campaign as a way to raise the funds for it, and that only goes until July 28. We have to sell enough tickets through that campaign in order for the event to happen. If we sell 50 tickets, the event will proceed.

If we sell 150 tickets, we can afford to hold the ball in the Wedgwood room, which is a beautiful, authentic blue and white circular room that would REALLY feel like a proper Jane Austen ball, with a separate room for cards, etc.

To get excited about this, watch this video:

Here is how it works. Visit the page for the Kickstarter campaign. Pledge for your tickets. You will not pay unless the campaign is successful. If it is, you get to come to the ball. If not, you don't pay anything. This is a safe way to support this project without worrying that you will buy a ticket for something that doesn't happen.

If you don't know how to dance like Darcy and Lizzy, have no fear. There will be 3 dance lessons in September, so you can learn how to do the dances at the ball, and we won't all be stepping on each other's toes. You can sign up for the lessons through the Kickstarter campaign.

Mary Bennett
You don't have to dance. You can just come and enjoy the costumes and the setting and the live, beautiful music, and the lovely refreshments, and pretend to be Mary Bennet.

Although dancing is not mandatory, costumes are. You can order a costume (contact me for details) or you can put one together yourself. I will be posting video tutorials on how to make your own costume once the Kickstarter campaign is over, and we are sure the ball is happening. As part of the Kickstarter campaign, you an also purchase 3 costume-making sessions, at which I will personally assist you to make your own costume from scratch. I will tell you exactly what to bring. And don't worry. We will not be picky about the authenticity or perfection of costumes. Any earnest approximation of period dress will be permitted.

There is one door prize, which has been lovingly donated by Fashions Under Seige. It includes a shawl, reticule and hand-painted fan.

Email me if you have any questions, or comment below.

Thursday, 10 July 2014

How not to write like Austen: enduring what is hard

Telling people how to write like Jane Austen is like telling people how to sing like Joni Mitchell, or paint like Rembrandt. Genius cannot be taught. However, we can learn a few things about how words and phrases were used in her time, or applied in her writing, so that we can be sure we use them in their historical sense, and avoid accidental modernisms in our lovely Regency recreations.

One word that Jane Austen and her contemporaries use in a sense that has sort of become lost, or at least less common, is the word "hard." In Jane Austen's time, this word was often used in the sense of "difficult to bear," as in "it is very hard to think that she might have been Mr. Collins's wife by this time." "Hard" was not used as much in Jane Austen's time in the strict sense of "difficult" as in "it was really hard to do that." If a task is hard, it does not mean it is difficult; it means it is unpleasant. 

It is not entirely anachronistic to say "it is hard to say" or "hard to decide" and in fact Jane Austen does occasionally use the word in this way, but it will give your writing a more authentic sound if you mostly use "difficult" where appropriate and keep your usage of "hard" for the "unpleasant" meaning. 


"Hard" can also mean "severe" or "unjust" as in "you are very hard upon your sex." Jane Austen doesn't seem to really use it to mean physically hard, like a hard rock, though she does use it as an adjective in the phrase "hard-hearted."   


You can also use the phrase "hard upon" someone, or "he took it very hard." Of course, you can also say someone works hardm or raps hard upon the door, or fell hard. Only use the latter of those in the literal sense though, not the figurative. I don't think anyone "fell" for anyone in the 19th century.


In French, the word "dur" has the same sort of meaning, both physically hard in the Brunelian sense, and in the sense of working hard and of difficult to suffer through. From this French word, we get the related English word "endure" which, as you know, means to live through something that is hard. 





Melanie Kerr is the author of Follies Past: a Prequel to Pride and Prejudice

Read Chapter 1      Watch the Trailers      Buy the Book




Friday, 4 July 2014

Bribery is best done with cheesecake

Last week I attended my first book fair to promote Follies Past to booksellers and librarians in the Calgary area. I shared the table with my sister who was promoting her beautiful illustrated book, Grandmother's Cabin. 
Cover of Grandmother's Cabin - Moonbeam Award Gold Medal Winner
Me and Angela getting ready for the book fair
Packing our books
   We had ordered a sign for each of our books, and they looked great, if a little large for the space.

Our giant signage
I was encouraged by many to wear my costume to the fair, and I was going to, but in the end, I just hung one gown on a dummy by the table and lay the other across the table. There was, however, a social evening after the first day, and I was spurred on to don one of the gowns, so I did.

The gown I wore to the social, made from a secondhand punjabi my husband picked up.
Our table
On the second day of the fair, we were given the chance to present to librarians from the Marigold Library System. Thy had tables in the middle of the room, and all the book reps got to present their catalog to them. We thought they might be getting tired after 2 long days of presentations, so we decided to bribe them with a little treat. After some reflection, we settled on individual cheesecakes in mason jars. My sister put them together and they looked adorables!

Homemade cheesecakes in mason jars - I want to eat this every day!
We also gave them greeting cards with paintings from my sister's book on them. They seemed delighted with our bribes, and clearly it worked because we just got our first orders from the book fair, which came from the librarians! 

So, it never hurts to have stuff to give away when you want people to take an interest in your book. You can order all kinds of promotional materials on line, but the nice thing about the cheesecake I think was that it wasn't promotional. It was made at home, and was just delicious. 

Other tips I would share about attending a book fair is to have specially labeled copies of your book, marked as Advance Reading Copies, or Uncorrected Proofs and not for sale. Include all you and your book's contact information on the cover of these copies, including social media links, maybe a QR code. Give these copies to people, if only to browse while at their table. It is a good way to get the word out about your book, and all the reps and publishers do it as standard practice so it makes you look professional. And definitely go and talk to people, other reps as well as booksellers. It is amazing how nice people are. We learned so much just from sitting down and chatting for a bit. And of course, get as much swag as you can. Book reps bring samples of books for booksellers to look through and take to review before they decide whether to purchase them for their bookstore. If they don't give them all away, they sometimes leave some, if not all, behind. You can pick up a lot great reads, which is a nice bonus.

Melanie Kerr is the author of Follies Past: a Prequel to Pride and Prejudice

Read Chapter 1      Watch the Trailers    Order Paperback      Download eBook

Wednesday, 2 July 2014

Austenesque Reviews - Review of Follies Past

In this charming and praiseworthy debut novel, author Melanie Kerr pens a prequel to Pride and Prejudice that surprisingly is not centered on Mr. Darcy or Elizabeth Bennet! Instead she chooses to flesh-out and fill in the histories of Caroline Bingley, George Wickham, and Georgiana Darcy. (Not one Bennet will you find here!) And while we do see our reserved and illustrious Mr. Darcy on the page quite a bit, this prequel focuses on other characters, especially three women: Caroline Bingley, Georgiana Darcy, and Clare Langford, Georgiana’s dearest friend from school.
Since I felt three distinct story-lines with three different heroines in this novel, I thought I’d break down my review in a similar fashion.
Caroline Bingley: In this prequel we witness Caroline’s first visit to Pemberley and introduction to Georgiana Darcy. As expected, Caroline’s ambitions and pursuit of Mr. Darcy are in full force. But when her heart is touched by another – a man with no title, wealth, or estate – Caroline’s interest in Mr. Darcy begins to waver. And while this unsuitable yet extremely charming man is a Class A Fortune Hunter, he finds himself quite liking the idea of marriage with Caroline… While there wasn’t anything unique about Caroline’s ambitions and interactions with Mr. Darcy, I greatly enjoyed the twist of her falling in love with an unsuitable man! I enjoyed seeing a softer portrayal of Caroline Bingley and witnessing her become “crossed in love.”
Georgiana Darcy: Here we see Georgiana become reacquainted and enamored with George Wickham. We see how the perfidious Mrs. Younge is the prime instigator and promoter of this match and how Georgiana, with her eagerness to grow up, experience love, and be Wickham’s savior, was so easily worked on. (Boy, Mrs. Younge is a nasty piece of work!) I enjoyed how Ms. Kerr portrayed Wickham, I liked that he was a reluctant participant to this scheme.
Clare Langford: By far, this is my favorite story-line in the novel!!! Clare, a daughter of an admiral with limited prospects and no property, comes to live with Georgiana in London and serve as a companion. Clare greatly enjoys her time with Georgiana and her family, but she starts to feel uneasy around Georgiana’s cousin, Lord Ashwell (Colonel Fitzwilliam’s older brother) because of all the scandalous rumors she hears about him. In addition, Clare does not approve of Georgiana’s growing friendship with George Wickham, and when she expresses caution it drives a wedge between her and Georgiana…
Clare is definitely the true heroine of this piece, she wins us over with her substance, moral center, and true friendship. She felt reminiscent of Georgette Heyer heroines to me – artless, perceptive, and not easily thwarted; and I completely admired and adored her! In addition, I loved Lord Ashwell, the black sheep in the Fitzwilliam family. I was dying to learn what he did in his past and why there were so many rumors circulating about him! And I thought it was brilliant how the author kept in suspense so long! The scenes with Lord Ashwell were splendid, what an intriguing character, I was deeply invested and moved by hime and his story-line.
I loved how well this thoughtful and illuminating prequel tied into Pride and Prejudice, the new character additions and fleshed-out histories were both creative and believable. I greatly enjoyed learning things like: why Colonel Fitzwilliam is appointed to be Georgiana’s guardian instead of his older brother and how Darcy came arrive in Ramsgate earlier than expected. The answers were equally satisfying and fitting. I also loved seeing some life put into to Anne de Bourgh and hearing about her not-so-dull existence.
I sincerely hope we will see more from Melanie Kerr soon, I absolutely loved her heartwarming tale and endearing characters! I’d definitely recommend this prequel if you are looking for a enthralling story aboutPride and Prejudice’s lesser known characters!!
Austenesque Reviews

Melanie Kerr is the author of Follies Past: a Prequel to Pride and Prejudice

Read Chapter 1      Watch the Trailers      Download eBook      Order Paperback

Monday, 30 June 2014

First Impressions - a Non-Review

Disclaimer: this is not a review in the traditional sense. I am just trying to help readers decide if this is a book for them. I make comparisons between the featured book and my book, Follies Past: a Prequel to Pride and Prejudice, because if you are visiting this blog, you probably at least know about that book, and may have read it. Also, I am shamelessly plugging my own work. Please forgive an indie author her flagrant self-promotion.

This is the only image I have digitally for the cover of this book, because it is not available yet. And the book rep who gave it to me told me the cover will probably change before it does come out, so this image is likely unhelpful to you, but here it is anyway. I do think the cover doesn't really represent the contents of the book. My cover design for this book would be a muted or grayscale photograph of a young woman in modern dress running through the streets of old Oxford, looking back over her shoulder, with a scarlet, cloth-bound book in her hand. I think that sort of image gives more of an idea of what this book feels like to read. The title already tells us it's somehow related to Jane Austen.

I knew nothing about this book when I was given it. I was at a book fair, pushing my own Austen-related novel when I saw this, and had a chat with the book rep from the publisher (Penguin) who then let me take it home with me. The rep didn't seem keen to classify this book as a Jane Austen spinoff novel. She presented it as a book for a wide audience and I would have to agree with her, even though she didn't realize "First Impressions" was the original working title of Pride and Prejudice. The book has "Jane Austen" on the cover. The first chapter bears the heading "Hampsire, 1796" and the opening lines give us Jane Austen herself, walking through the woods. So you can see how one might come to the conclusion that this book is for Jane Austen fans. Do not be deceived!

My first impression (sorry) was that it was essentially a hybrid of the Jane Austen Book Club the Lost Memoirs of Jane Austen. And for the first several chapters, it essentially was. But about a third of the way in, I began to think that maybe this book was about to become a very different one from that which I had been anticipating. In fact, there was a third book to mix into the hybrid - namely, the da Vinci Code. In fact, it is much more like the da Vinci code than either the Jane Austen Book Club or the Lost Memoirs of Jane Austen, but if you like any or all of those three books, you will like this one.

The book is essentially a mystery.  It is a novel set in two time periods, and the chapters alternate between each - the first, Hampshire 1796, and the second, London, present day. I must confess that I get a bit prickly whenever someone writes about Jane Austen in any kind of omniscient way, but I will get to that. The two sections are written in two different styles. The 1796 sections have a more historical tone, though they are not strictly written in the language of the Regency. They do use slightly more flowery language, and it felt more like it was the olden days in those chapters.   I thought they could have used different font as well, to really highlight the distinction.

The 1796 chapters give us the information that the modern characters are trying to uncover in the other chapters. They don't give us all the details though, so we are still partly in the dark right up until the end. As a reader, you know you have to get the information from these chapters, but you do rush through them to get back to the fast-paced, modern chapters.

The mystery itself is quite good. I really kept turning the pages and didn't know exactly what to think until the very end. The history itself seems accurate, except of course for the parts that are overtly made up, and the speculation as to the inner thoughts and feelings of Jane Austen is kept fairly benign. There is, of course, a bit of blasphemy, and I will add that real purists will find some flaws in some of the minor details in the 1796 sections of the book. But I only mention it for the benefit of hardcore nitpickers who read this review and the book itself and might think I didn't notice. It doesn't interfere with the experience of reading the book.

Melanie Kerr is the author of Follies Past: a Prequel to Pride and Prejudice

Read Chapter 1      Watch the Trailers    Order Paperback      Download eBook


Reading in Bed - Review of Follies Past

Remember last year when I did Austen in August and decided that even though Austen is Awesome, she kind of wasn’t for me (with the exception of Persuasion because let’s face it, Captain Wentworth is for everybody?) It’s a credit to Ms. Kerr’s persuasiveness (sorry) that I decided to read Follies Past. I didn’t want to set myself up for a disappointing read, or deal with the awkwardness of a writing a bad review of a local, self-published book. But over the course of a few weeks’ email correspondence, she wore me down. I picked up the ebook and girded myself.
It wasn’t just Kerr’s salesmanship (thought it was impressive) that convinced me. She created a series of wonderfully overwrought book trailers that are far more entertaining than those of best selling authors. And she blogs. Her blog is neither in your face promotion nor dubious writing tips; rather, it’s an interesting and educational look at what goes into writing a historical novel and publishing it yourself. Kerr’s expertise in the Regency era comes through in her fiction, but her blog really drives it home. My favourite posts are those about about peculiarities of Regency language, but she also rants about misuse of “beg the question,” one of my pet peeves.
What about the book?Right! The best thing about Follies Past is that the writing style comes oh-so-close to Austen, it feels completely natural and not at all like that “put a Zombie on it” brand of adaptation. Kerr’s wit isn’t quite as razor sharp, but that’s like saying you are slightly worse at playing piano that Mozart. I don’t know about you, but I read Austen for the sick burns more than the romance, and there are plenty here. Speaking of romance, here’s our hero contemplating marriage with Caroline:
A wife would bring select society into their home, would ensure Georgiana was exposed to tother people… and would save him the trouble of making friends himself…As he was not in the habit of receiving young ladies to Pemberley, Caroline was the only eligible person that he had lately witnessed about the place. Therefore, when he imagined a lady of the house, he imagine her as Caroline. He only wished that she were not so objectionable.
Insert sarcastic *swoon* here. And am I imagining all the Clueless references I’m finding these days? A reference to an Austen adaptation in an Austen adaptation?
She always intended to arrive as the sun was setting, in order that her complexion might profit by the glow of evening light.
badlighting
Though a P&P prequel, I liked that the story picks up some themes from Austen’s other works. The frequent references to “bad” novels, including a shout out to The Monk which is the baddest gothic novel ever, made me think of poor Catherine in Northanger Abbey and her obsession with Anne Radcliffe novels. And Clare’s misadventures as she travels to stop Wickham before he goes to far reminded me of Catherine’s frustration as she deals with gross James.
I also enjoyed how Kerr didn’t stick to the tried and true P&P cast, she created Clare, the bad novel-loving friend of young Georgiana. Clare was not my favourite though. I always wanted to get back to the dastardly Wickham and oblivious Caroline. Kerr did a bang up job with these characters, who were so one-note in the original, but have real depth here, even though they’re the object of the narrator’s disdain. I got a sense for how society set them up with expectations they could not realize and how many of their vanities and fixations come out of that.
I *may* also have been predisposed to sympathize with Wickham due to the actor who plays him in the trailer. I mean, come ON.
antonio
For a reader like me, who isn’t big on Austen, adaptations, or romance, this book was a surprise and a delight. I’m glad the author wore me down. Janeite or not, the writing is worth the trip back to Pemberley.

Tuesday, 17 June 2014

Did old Mr. Darcy kick his tenants off Pemberley in 1773?

You may not find this terrifically amusing, but I thought I would write about it because it was terribly significant and I had never heard about it before I started researching my book. I feel particularly driven to set the record straight after Clive Anderson appallingly misrepresented the facts on QI. I am going to use Mr. Darcy and Pemberley for the purposes of illustration. It is particularly convenient to do so since most of this happened in the North.

Pemberley was a vast estate with huge tracts of land. Mr. Darcy did not work the land himself. He was a gentleman. Instead, he had tenants to work it for him. In return, they got to live on the land in cottages owned by the Darcy family. They also got to use the common lands for their own sustenance. This is where I think it gets interesting.

A portion of Pemberley's lands would have been set aside as commons and would not have benefited the Darcy family at all, well, not directly at least. The tenants would have had a system for dividing up the land and allocating it amongst themselves from year to year to grow crops for their own families. In addition, some of the land would have been for grazing, and each tenant would be allowed to graze a certain number of cattle, sheep, chickens, etc. on that land for their own use. In fact, there are some places where this system is still followed. At least there is one. I saw a program about it on the BBC.

This system was in place from at least the middle ages. All estates had common lands and that's how the system worked and how people survived. We know this as feudalism. As early as the 1100s, however, people started chipping away at the system. Landowners started enclosing the common lands, and taking it for their own use. This was not very popular with the peasants, obviously, and even led to riots in Tudor times.

Clive Anderson said the lands were public and that the rich people just came along and took them for themselves. This is gross error, and as a former barrister, Mr. Anderson should know better than to make such misrepresentations to the public. The land always belonged to the rich people. It was just set aside for the use of the tenants of the owners. And they didn't just come along and take it; there were acts of parliament which authorized the taking. That said, it was still shocking and terrible.

In the 18th Century, methods of agriculture became more efficient, and the number of peasants required to work the land decreased. By the latter part of the century, there were wars in France and embargoes on grain. His Majesty had armies to feed, and not enough bread. It became very important to the common good that landowners produce grain on their land as much as possible. These forces were impetus for parliamentary Acts of Enclosure. Under the Common Law, you couldn't just take away people's rights to use the common lands. There had to be legislation removing those rights. And there were little local acts going back to the 12th Century. But in the late 1700s, there began to be national ones, with a consolidating act in 1801 to tidy them all up and make them into one.

Mr. Darcy was considered by Mrs. Reynolds to be the best landlord and the best master, so he probably didn't do any inclosing. His father might have, but then Mrs. Reynolds says Mr. Darcy is just like his father, so that seems unlikely. Perhaps Pemberley remained under the old system until the Victorian era, specifically the 1840s and 1850s when another spate of enclosures took place.

I actually read one of the inclosure acts. It allowed landowners to enclose the common land, but they must compensate the tenants with other land somewhere else. This, of course, was not generally followed. The peasants were just kicked off the land and the landowners kept a few people around to tend the fields in a more efficient manner on a large scale and got rich and fat.

All these peasants moved to the cities trying to find work, or squatted and poached in the countryside. It was probably displaced peasants who stole Mr. Woodhouse's turkeys. This migration to the cities, and general abundance of unemployed people is believed to have catalyzed the Industrial Revolution. There was a ready supply of thousands of people to fill up the factories and the coal mines, which there would not have been had everyone been happily tending their little strip of the commons and grazing their sheep in Pemberley's rugged meadow.

Melanie Kerr is the author of Follies Past: a Prequel to Pride and Prejudice

Read Chapter 1      Watch the Trailers    Order Paperback      Download eBook